In an Instagram story, she shared a screenshot between herself and Frank wherein he asked which version of the "Biking" artwork he should use.
Read MoreEpisode 003 of blonded debuted with a new track called "Biking."
Read MoreIt is possible that "Both Sides" was an early title for "Chanel" which debuted during blonded 001 in February. The artwork was never used in any official capacity.
Read MoreThe extent of Frank's relationship with Auntie Fee isn't entirely known. Fee has said in the past that he's a blood relative, but that remains to be verified. Still, it's evident she is close with the Breaux family and she has appeared in some of Frank's recent work.
Read MoreA new YouTube channel has appeared sporting the blonded name and logo.
Read MoreEpisode 002 of blonded debuted with a new track called "Chanel."
Read MoreIn a Tumblr post, Frank wrote "Yesss Viola!" in reaction to Viola Davis' Oscar Acceptance Speech for Best Supporting Actress in 'Fences.'
Read MoreFrank Ocean and a crew of radio DJs put out blonded Radio on Beats1.
Read MoreMayren contributed a number of spreads to the Boys Don't Cry magazine.
Read MoreAn ongoing beef between Frank Ocean and the producers of The Grammy Awards rages on.
Read More"Don’t cook the books either Donald. We all know your event was dry.
Read MoreIn a Tumblr post, Frank wrote "SAY IT MERYL!" in reaction to Meryl Streep's Golden Globes speech.
Read MoreSlim K, a member of OG Ron C's Chopstars, has released a chopped and screwed version of Frank Ocean's Blonde.
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In this New York Times feature, Frank talks about being elusive, creating music, and taking back control of his career.
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Accompanied by his mom
Read MoreIt's possible that this was intended for the version of the track found on the Boys Don't Cry version of the CD which features Japanese rapper KOHH.
Read More“If I could guess your password, you know I’d break in/ To the empty heart that you keep my face in”
Read MoreIn jam sessions they would start to vibe, which gave Ross an opportunity to show Frank some of his own music and eventually join him in the studio.
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The studio behind the typeface and masthead for the magazine spill on Frank Ocean’s working process, his absolute perfectionism and how not even they knew when it would drop
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