Frank Ocean, A$AP Rocky, and Solange were some of the A-listers present for the launch party at Tyler, The Creator’s GOLF WANG new retail location.
Read MoreFrank is the cover star of i-D's Winter 2017 Sounding Off issue.
Read Moreit's a torso on his torso.
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In a Tumblr post, Frank shared an image from Tom Sachs’ NYC studio.
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Frank Ocean attends this year’s Costume Institute Benefit in NYC with a Contax T3 35mm in tow. He spent the majority of the evening documenting the attendees. He dressed in a white dress shirt and black pants from Balmain. The theme of this year’s event was “Rei Kawakubo/Comme des Garçons.”
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Michael Mayren previously contributed a number of spreads to Boys Don’t Cry magazine.
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Boys Don’t Cry magazine features a series of images by British photographer Michael Mayren that captures amateur drivers at Achna Speedway, located near the City of Larnaka on the Mediterranean island of Cyprus.
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Frank Ocean’s zine features a photo series by London-based photographer Harley Weir that captures the people of Dakar, Senegal, located in West Africa. The models reenact quotes from various artists, poems, and performance art projects. Weir shot the images in 2015 under Ocean’s creative direction.
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In his new magazine, Boys Don’t Cry, Frank Ocean published a photo series featuring a remote-control toy and “life-size” model BMW E30 M3 Sport Evolution. The photoshoot juxtaposes children playing with a small RC car and an adult driving a full-size version out of a large toy box.
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American photographer Jim Mangan captures Frank Ocean and his longtime friend Ray Buck driving amphibious all-terrain vehicles in the article “Crouching Tiger, Hidden Water Moccasin” in Ocean’s Boys Don’t Cry magazine. Mangan captured the photo series along Red Creek near Perkinston, Mississippi, in 2015.
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In his new magazine, Boys Don’t Cry, Frank Ocean shared a verse and photographic series titled “Jumbo” that features his friend Ysham Jackson modeling outfits styled by fashion director Rita Zebdi. The series includes an image used on one of three magazine covers.
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In his zine, Frank Ocean appears in a series by German photographer Wolfgang Tillmans titled “I’m a Morning Person,” captured in Berlin in January 2015. The piece includes four portraits, one of which is the cover photo of Boys Don’t Cry and its companion album, Blonde.
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In his zine, Frank Ocean explores the car scene in and outside of Tokyo in a photo series by Dutch artist Viviane Sassen titled “Foxface.” Notably, the editorial includes a portrait of Ocean wearing a racing helmet, which he used on one of three front covers for Boys Don’t Cry and two of four album covers for his companion project, Blonde.
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In his magazine, Boys Don’t Cry, Frank Ocean published a photo series featuring sports cars crafted from hoodies, sweatshirts, and T-shirts by London-based visual artist Gary Card.
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In Frank Ocean’s new magazine, Boys Don’t Cry, video director Tyrone Lebon published a photo series titled “I Shot a Video for Fun,” which showcases his production of the music video for “Nikes.”
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In Boys Don’t Cry magazine, French film director Romain Gavras published a comic strip featuring graphics by London-based artist Pablo Jones-Soler. It contains a series of text messages from a drug mule, who explains the process of trafficking product from Morocco into France and the rest of Europe.
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In Boys Don’t Cry magazine, Frank Ocean included a photoshoot with friends camping outside Munich, Germany. The series includes an image of his friend smoking in a car, which he used on one of the three digital album covers for Blonde. The piece also samples a text by American neo-conceptual artist Jenny Holzer titled Truisms.
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In Boys Don’t Cry, artist Tom Sachs outlines the acceptable (and forbidden) paints and hues used in his NYC studio. The article is a print adaptation of his 2011 film Color.
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Ocean debuts his highly anticipated studio album, along with a 370-page, large-format art book, which he is giving away for free at pop-up shops in Los Angeles, Chicago, New York, and London.
Read MoreIn an interview with Pitchfork, Wolfgang Tillmans walks us through his photoshoot with Frank Ocean for Fantastic Man magazine. This shoot would lead to a newfound friendship, and Tillman’s song would be used as the bookends to Frank’s new visual album, Endless.
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